THS4001 Modern Theatre: Theory and Practice

SubjectCat-nbrClassTermModeDescriptionUnitsCampus
THS4001785442, 2008ONCModern Theatre: Theory and Practice1.00Toowoomba

Academic group:FOART
Academic org:FOA005
Student contribution band:1
ASCED code:100103


Contents



STAFFING

Examiner: Bernadette Pryde
Moderator: Janet McDonald




REQUISITES

Pre-requisite: Students must be enrolled in one of the following Programs: BAHN or BTAH



RATIONALE

A study of the major theoreticians and practitioners of modern drama and theatre contributes to an understanding of current directions and discourse in the area.




SYNOPSIS

A study of the major theoreticians and practitioners of modern drama and theatre contributes to an understanding of current directions and discourse in the area. The relationship between theory and practice in modern theatre has been a dynamic one. Practice has given rise to a range of theories about the cultural and social significance of drama and theories about the nature of dramatic structure, performance and production. Theory has preceded or accompanied major changes in the presentation of dramatic forms and their cultural and social consequences. The exploration of this relationship leads to an understanding of how both theory and practice have contributed to an understanding and articulation of theatre in varying contexts.




OBJECTIVES

On successful completion of this course students will have:

  1. an advanced understanding of contemporary theatre and performance;
  2. an appreciation of stylistic variations evident in contemporary performance practices;
  3. an ability to apply theory to theatrical performance and to demonstrate understanding of a variety of performance theories;
  4. an understanding of how theatre practice informs theory in modern theatre.



TOPICS


DescriptionWeighting (%)
1. Topics for seminar discussion will incorporate a range of developments in contemporary theatre and performance. These will include consideration of both theoretical and practical issues as well as the relationship between dominant theatrical forms and emerging, post-colonial developments.
100.00


TEXT and MATERIALS required to be PURCHASED or accessed

ALL textbooks and materials are available for purchase from USQ BOOKSHOP (unless otherwise stated). Orders may be placed via secure internet, free fax 1800642453, phone 07 46312742 (within Australia), or mail. Overseas students should fax +61 7 46311743, or phone +61 7 46312742. For costs, further details, and internet ordering, use the 'Textbook Search' facility at http://bookshop.usq.edu.au click 'Semester', then enter your 'Course Code' (no spaces).

Carlson, M 2004, Performance: a critical introduction, 2nd edn, Routledge, London.

Drain, R (ed) 1994, Twentieth century theatre: a sourcebook, Routledge, New York.




REFERENCE MATERIALS

Reference materials are materials that, if accessed by students, may improve their knowledge and understanding of the material in the course and enrich their learning experience.

Aston, E & Savona, G 1991, Theatre as sign system, Routledge, London.

Bennett, S 1998, Theatre audiences: a theory of production and reception, 2nd edn, Routledge, London.

Bentley, E 1992, The theory of the modern stage, Penguin, London.
(revised edn)

Blau, H 1992, To all appearances, Routledge, New York.

Boal, A 1979, The theatre of the oppressed, Pluto, London.

Braun, E 1979, The theatre of Meyerhold: revolution on the modern stage, Drama Book Specialists, New York.

Brook, P 1989, The shifting point: 40 years of theatrical exploration 1946-87, Methuen, London.

Carlson, M 1993, Theories of the theatre, Cornell University Press, Ithaca.
(Expanded edition)

Case, S E (ed) 1990, Performing feminisms, John Hopkins University Press, Baltimore.

Heilpern, J 1989, The conference of the birds, Methuen, London.
(Revised edition)

Helbo, A et al 1991, Approaching theatre, Indiana University Press, Indianapolis.

Knapp, B 1980, Antonin Artaud: man of vision, Swallow, Athens.

Pavis, P 1992, Theatre at the crossroads of culture, Routledge, London.

Reinelt, J G & Roach, J 1992, Critical theory and performance, University of Michigan Press, Ann Arbor.

Schechner, R 1988, Performance theory, Routledge, New York.

Selbourne, D 1982, The making of a Midsummer Night's Dream, Methuen, London.

Suzuki, T 1986, The way of acting, Theatre Communications Group, New York.
(trans. J Thomas Rimer)

Turner, V 1988, The anthropology of performance, PAJ Publications, New York.

Willett, J 1978, The theatre of Erwin Piscator: half a century of politics in the theatre, Eyre Methuen, London.




STUDENT WORKLOAD REQUIREMENTS

ACTIVITYHOURS
Lectures2.00
Private Study137.00
Seminars26.00



ASSESSMENT DETAILS

DescriptionMarks out ofWtg(%)Due dateNotes
FIRST SEMINAR PAPER100.0030.0021 Jul 2008(see note 1)
SECOND SEMINAR PAPER100.0030.0021 Jul 2008(see note 2)
ASSIGNMENT100.0040.0021 Jul 2008(see note 3)
NOTES
1.
Further details about the due dates are provided to students at the first class meeting of the term. This assessment item is aligned with Objectives 1-4.
2.
Further details about the due dates are provided to students at the first class meeting of the term. This assessment item is aligned with Objectives 1-4.
3.
Further details about the due dates are provided to students at the first class meeting of the term. This assessment item is aligned with Objectives 1-4.


IMPORTANT ASSESSMENT INFORMATION

  1. Attendance requirements:
    It is the student's responsibility to attend and participate appropriately in all activities (such as lectures, tutorials, laboratories and practical work) scheduled for them, and to study all material provided to them or required to be accessed by them to maximise their chance of meeting the objectives of the course and to be informed of course-related activities and administration. For this course, normal class attendance consists of one 2 hour tutorial per week.
  2. Requirements for students to complete each assessment item satisfactorily:
    To successfully complete an individual assessment item, a student must achieve at least 50% of the marks or a grade of at least C-. This statement must be read in conjunction with Statement 4 below.
  3. Penalties for late submission of required work:
    If students submit assignments after the due date without extenuating circumstances and without prior approval, then a penalty of a maximum of 5% of the assigned mark may apply for each working day late, up to a maximum of 10 working days, at which time a mark of zero can be recorded for that assignment.
  4. Requirements for student to be awarded a passing grade in the course:
    To be assured of receiving a passing grade, a student must achieve at least 50% of the total weighted marks available for the course.
  5. Method used to combine assessment results to attain final grade:
    The final grades for students will be assigned on the basis of the aggregate of the weighted marks obtained for each of the summative assessment items in the course.
  6. Examination information:
    There is no exam for this course.
  7. Examination period when Deferred/Supplementary examinations will be held:
    Given the details under (6) above, there are no deferred exams for this course. However, if any deferred/makeup work is granted, it would have to be submitted by a date set by the examiner.
  8. University Regulations:
    Students should read USQ Regulations 5.1 Definitions, 5.6 Assessment, and 5.10 Academic Misconduct for further information and to avoid actions which might contravene University Regulations. These regulations can be found at the URL http://www.usq.edu.au/corporateservices/calendar/part5.htm

ASSESSMENT NOTES

9.(a) The due date for an assignment is the date by which a student must lodge the assignment at the USQ. (b) All Faculty of Arts assignments must be lodged in the Faculty Assessment Centre on the Ground Floor of Q Block no later than 12 noon on the due date. (c) In the event that a due date for an assignment falls on a local public holiday in their area, such as a Show holiday, the due date for the assignment will be the next day. Students are to note on the assignment cover the date of the public holiday for the examiner's convenience. (d). Students must retain a copy of each item submitted for assessment. This must be despatched to USQ within 24 hours if requested by the Examiner. (e) In accordance with University's Assignment Extension Policy (Regulation 5.6.1), the examiner of a course may grant an extension of the due date of an assignment in extenuating circumstances such as documented ill-health. (f) Students who have undertaken all of the required assessments in the course but who have failed to meet some of the specified objectives of the course within the normally prescribed time may be awarded the temporary grade: IM (Incomplete-Makeup). An IM grade will only be awarded when, in the opinion of the examiner, a student will be able to achieve the remaining objectives of the course after a period of non-directed personal study. (g) Students who, for medical, family/personal, or employment-related reasons, are unable to complete an assignment or sit for an examination at the scheduled time, may apply to defer an assessment in the course. Such a request must be accompanied by appropriate supporting documentation. One of the following temporary grades may be awarded: IDS (Incomplete - Deferred Examination; IDM (Incomplete Deferred Make-up); IDB (Incomplete - Both Deferred Examination and Deferred Make-up).
10.Students are strongly advised to maintain regular contact with their supervisor.
11.Students can expect that questions in assessment items in this course may draw upon knowledge and skills that they can reasonably be expected to have acquired before enrolling in the course. This includes knowledge contained in pre-requisite courses and appropriate communication, information literacy, analytical, critical thinking, problem solving or numeracy skills. Students who do not possess such knowledge and skills should not expect to achieve the same grades as those students who do possess them.
12.Students will require access to email and have internet access to USQConnect for this course.
13.IMPORTANT NOTE: DO NOT PARTICIPATE IN ANY PRACTICAL EXPERIENCE WITHIN CHILDREN UNDER 18 UNLESS YOU POSSESS A CURRENT 'BLUE CARD'. State law is Queensland requires that ALL adults (including university students, pre-service educators, trainers, vocational teachers, industry educators) working with children under the age of 18 in the state of Queensland* obtain approval before commencing such work. Many education courses include a practical component (professional experience, project work, research, assessment etc) that may require engagement with children under the age of 18. It is your responsibility to ensure that you possess a current suitability card (Blue Card) before commencing any practical components of this course. For further information see: <http://www.childrencomm.qld.gov.au/employment/bluecard/infomationsheets.html> *If you are undertaking practical experience outside the State of Queensland, Australia, you should check local requirements.

This version produced 27 May 2008.