Year No. Offer Mode Description Cred. Pts 99 92530 S1 D VISUAL RESEARCH METHODS 1.00
The notion of research in the visual arts is a contemporary cultural issue which deserves serious attention. Yet many artists claim that research involves problem solving which is the essence of practice in the visual arts. Therefore, they argue, visual arts is research. However, the visual arts are being challenged to justify and demonstrate this nexus. This unit develops and explores research methodologies and processes which are relevant to visual arts theory and studio practice. It is designed to introduce and identify appropriate processes for research in visual arts theory and practice which are to do with discovery, and which can be used to elicit data to do with personal ideas, observations and interpretations. In visual research this data might bear on practical issues or underlying theories, on matters of intention (like the imaginative concepts that lie behind the work), ways of assessing what is done, or the processes of actually handling materials and techniques. Its methods of collection may be quantitative and qualitative.
On successful completion of this unit students will:
Description Weighting(%)
- Introduction to visual arts research.
- Dimensions of research.
- Theory and contemporary issues in visual research.
- Meanings of methodologies and applications for practice.
- Establishing a research design.
- Documentation.
- Evaluation of research.
Centre for Research in Art and Design, 1995, Developing a Research
Procedures Programme for Artists and Designers, Robert Gordon
University, Aberdeen.
Easthorpe, A and McGowan, K, 1992, A Critical and Cultural Theory
Reader, Allen & Unwin, Sydney.
Hamond, M, 1991, Understanding Phenomenology, Basil Blackwell,
Oxford.
Kellehear, A, 1993, The Unobtrusive Researcher: A Guide to Methods,
Allen & Unwin, Sydney.
Lather, P, 1990, Getting Smart: Feminist Research and Pedagogy
with/in the Postmodern, Routledge, New York.
Marshall, C and Rossman, G B, Designing Qualitative Research, Sage,
London.
National Gallery of Art, 1995, Conservation Research, Washington
D.C.
Pollard, E B, 1986, Visual Arts Research: A Handbook, Greenwood, New
York.
Telley, C, 1994, A Phenomenology of Landscape: Places, Paths and
Monuments, Berg, Oxford.
Van Manen, M, 1990, Researching Lived Experience, University of
Western Ontario, Ontario.
Whyte, W F, 1984, Learning from the Field: A Guide from Experience,
Sage, Beverley Hills.
ACTIVITY HOURS Lectures 14 Tutorials/Workshops 14 Project Work 56 Private Study 80
No *F/S Marks Due Description Wtg(%) LBL WWW 1 S 02/03/99 SHORT ESSAY 10.00 N N 2 S 09/03/99 RESEARCH PROJECT PROPOSAL 20.00 N N 3 S 20/04/99 DRAFT LITERATURE REVIEW 20.00 N N 4 S 05/06/99 RESEARCH PROJECT REPORT 40.00 N N 5 S WEEKLY WEEKLY JOURNAL 10.00 N N
1 Students are required to attend at least 80% of classes. Medical
certificates are required if attendance is less than 80%.
2 Late submissions will be subject to penalty up to 20% of
assignment mark for each working day late (as per University
regulations) unless medical certificates are provided or
extenuating circumstances are appropriately demonstrated.
3 Grades will normally be awarded according to the cumulative total
of marks for the various assessment items:
50-64% = C; 65-79% = B; 80-89% = A; 90% and over = HD.
An IM may be granted if there is a shortfall in one of the
assessment items.